
released 14th October 2025 on STROOM.tv and Night School Records
‘…the LP plays out a transfixing dream sequence masterfully heightened by the deftest grasp of illusory mise-en-scene’
Boomkat, https://boomkat.com/products/minor-gestures
’should ideally be consumed while resting inside arcane stone circles, on top of prehistoric mounds, inside alcoves, near incantated rivers, and below weird geological formations’
Hyperspecific: Electronic Music for October Reviewed by Jaša Bužinel
https://thequietus.com/quietus-reviews/electronic/hyperspecific-electronic-music-for-october-reviewed-by-jasa-buzinel/
‘…feels like something dug up from a peat bog after a thousand years’
Electronic Sound Magazine
‘On her forthcoming album Minor Gestures, Scottish musician Susannah Stark takes her Gaelic (Gàidhlig) folk music in experimental directions, which might involve drone passages on harmonium or modular synth, interpolated field recordings, or sample-based programming. The production touches only serve to heighten the sense of an arcane, otherworldly setting, as if being performed just out of sight or transmitted from a past-future. It’s quite a remarkable album, as you will get to hear in coming weeks.’
Utility Fog, FBi.radio https://utilityfog.radio/archives/2025/09/07/playlist-07-09-25/

released 14 Feb 2025 on STROOM.tv
‘…this isn’t yr average set of love songs – perfect gear for Valentine’s Day’
Boomkat

released 22 August 2022 on Kashual Plastik

released 3 Nov 2020 on STROOM.tv
‘Gorgeous experimental pop, like being inside a centuries-old sacred space by yourself, both intensely intimate & imbued with a sense of existential hugeness & mournful mystery’
Bandcamp Daily
‘a seven-song serving of gossamer dub-pop experimentalism […] Stark sings and plays everything on here apart from some guitar on ‘Unnatural Wealth’, a glorious confluence of ghosts and machines that groans and grooves like The Faith Healers or some of the weirder Fugazi songs.’
Noel Gardner ‘New Wierd Britain’ The Quietus
‘…there’s a rare authenticity of authorship to ‘Time Together (Hues & Intensities)’ that feels experiential, rather than pasted on or worn like some “boho” festival outfit, and likewise that rooting or immersion in folk-pop allows Susannah to best mess with the form from the inside-out, locating something new and timelessly vital in archaic styles.’
Boomkat
‘a collection of spoken word, poetry, samples and meandering textures atop a sometimes sinister backdrop of kraut, wave and post punk. It’s as much a statement and a reflection on the scenario upon which the world finds itself in as it is a musical venture. It’s enchanting, haunting and hypnotic.’
The Ransom Note


